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Book Review: A.P. Indy (Shulman)

8/27/2026

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Very few Thoroughbreds become champions in three different spheres: the sale ring, the racetrack, and the breeding shed. Fewer still merit the description "breed-shaping," in the sense of making such an outstanding contribution to the breed that one would have to envision a different direction for the Thoroughbred had this one individual not existed.

For A.P. Indy, the jury (at least in my opinion) is still out on the "breed-shaping" part, as it will probably take another twenty or thirty years before his full influence is revealed. Nevertheless, there is no denying his merit as a physical individual, as a racehorse, or as a stallion, nor can one underestimate the impact he had on the people who surrounded him. From farm workers to multimillionaire owners and breeders to fans, A.P. Indy was the horse of a lifetime and more. In A.P. Indy: Champion Racehorse and Breed Shaping Sire (2026, University Press of Kentucky), veteran writer Lenny Shulman tells the story of an unforgettable animal whose Midas touch extended to every aspect of the Thoroughbred industry. 

Drawing on decades of connections made during his work in journalism, Shulmann vividly portrays the web of individuals surrounding a Thoroughbred during the stages of its life--and sometimes even before a horse is ever conceived, as families of mares are nurtured through generations before the crucial mating is planned that catches lightning in a bottle. In that sense, A.P. Indy's story begins two generations before his birth, when William Farish III began developing two dreams. One dream was Lane's End Farm, now one of Kentucky's premier breeding entities and sale consignors. The other dream began with a half interest in a good race mare named Lassie Dear. She would become the grandmother of the stallion Farish aimed for of as he built up his farm---the kind of horse who could put a breeding business at the top of the Thoroughbred industry. Through the union of Lassie Dear's daughter Weekend Surprise with Seattle Slew, Farish produced that horse in A.P. Indy, an animal who combined the genetics for exceptional ability with the physique to deliver on that ability.

Yet, as A.P. Indy took his first wobbly steps in the spring of 1989, he became the nexus of an intricate dance of interconnected decisions, each with the potential to culminate in fulfillment of his potential or a derailment to the obscurity that claims the vast majority of even the most outstanding foals. As Shulman moves through A.P. Indy's journey from sale-topping yearling to America's Horse of the Year and then to outstanding sire and sire of sires, he provides an intimate look at the development of a champion as both an athlete and a business asset, as a personality and as the focus of tough decisions made for both the animal's welfare and for business reasons. It was the job of A.P. Indy's human team to create and then unlock his vast potential; to place him where his inherent assets could be best used; to protect his physical and mental health while honing his abilities; and to capitalize on the value he created as a racer and stallion. Shulman understands all of this, and it is his in-depth grasp of the minutiae of the various aspects of the Thoroughbred industry, centered around the life and career of a horse he clearly admires as no other, that sets this book apart as an equine biography.

A.P. Indy is one of two books kicking off the University Press of Kentucky's "Racing Royalty" series (the other is my own Holy Bull: An Unconventional Path to Racing Glory), and if Shulmann's work is any indication, this series should be off to a great start in its mission of introducing readers to the great horses of the late 20th and early 21st centuries. It isn't a long read, but it packs a great deal into limited space and belongs on the bookshelves of both racing fans and serious students of the Thoroughbred.



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Be Wary

8/13/2026

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Scams have long awaited the unwary in the writing world. Historically, most have consisted of pitches to get a manuscript reviewed or published, with would-be authors being led to unqualified editors or reviewers who demand inflated fees for what proves to be substandard work, "agents" who have no track record for anything but separating writers from their money through up-front fees, or unscrupulous vanity presses that are anything but clear and upfront regarding the services they provide. Unfortunately, an increasing number of scams target established authors who (not unreasonably) want to increase their sales or branch out into another area of writing.

Two of the most common scams out there are the fake "book club" and the out-of-the-blue contact from someone who claims to represent a major publishing house. The first type contacts an author with a complimentary assessment of one of the author's books, followed by an offer to increase awareness of the book by having it presented before a book club that supposedly has several hundred to several thousand members. If the author expresses interest, the scammer will then attempt to inveigle the author into paying a fee of at least several hundred dollars and sometimes more for "presentation costs," "professional reviews," or any other plausible-sounding term that translates to coughing up money for the privilege of being presented before a probably nonexistent book club. The bottom line is that legitimate book clubs don't charge authors for the clubs' discussing their books or for making appearances before a club on-line or in person.

The second type of scam depends on an author's overlooking the fact that major publishing houses don't generally go headhunting for anyone who isn't already a high-profile author; they get far more submissions than they can ever use from lesser lights and from previously unpublished writers, and they are very careful about it when they do try to recruit established talent, since they don't want to run afoul of contract disputes. The "out-of-the-blue" scam targets self-published authors and those who have been published through smaller houses that don't require representation by a literary agent. The initial pitch may come from someone impersonating an actual acquisitions editor from the company. After some initial flattery and some probing regarding the author's past work and present projects, the hook is then thrown out: the editor will either give hope that a contract for a project may be offered or may offer a referral to a literary agent who can help you develop and sell your project. The reality, of course, is that the contract will never materialize and the "agent" is either the scammer's partner or an AI-generated front for the impersonator. What the scam is fishing for is either up-front fees that reputable editors and agents do not require or your sending in an unpublished manuscript that can be pirated for rewriting via AI---or both.

One of the major tells for this second type of scam is that the initial contact comes from a personal Gmail, Outlook, Yahoo, or similar account rather than from an address indicating corporate affiliation. For example, legitimate staff members at my own publisher, the University Press of Kentucky, use an address in the form of [email protected] when transacting professional business. If impersonating an actual staff member, scammers will also often use a title that the actual person does not or may misspell the person's name. If a search comes up with a webpage purporting to belong to the staff member, look for signs of sloppy or hasty construction, along with evidence suggesting AI generation. Look for similar signs regarding a supposed "agent"---legitimate agents use professional addresses affiliated with their companies (or addresses that are clearly separate from their personal email accounts if self-employed), have webpages that are clean and well-constructed, and can generally be found in professional directories maintained by reputable sources such as Writer's Digest. "Agents" who tout their involvement with nonexistent books and authors (or authors who have been dead for a while) are also not that uncommon, so do your homework regarding an agent's claims.

For more information about scams targeting authors, check out Writer Beware - Shining a small, bright light in a wilderness of writing scams. It's a great resource (it's sponsored by the Science Fiction and Fantasy Writers Association) and comes recommended by some of the major publishing outfits. And if you have been unlucky enough to be stung by a scam, don't be too upset with yourself. Scammers are experts at using your emotions and intellect against you, so put the blame where it belongs---on them. Learn from the experience and, if you can bear to do so, share it with others in your writing circle so that they don't fall victim too.





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An Evening with the Author at Keeneland

8/6/2026

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After the confusion and stress of a move from Florida to Lexington, Kentucky, the pleasure of attending the Keeneland Library's "Evening with the Author" program last night could not have been more welcome. The speaker was longtime racing writer Lenny Shulman, whose latest book, A.P. Indy: Champion Racehorse and Breed-Shaping Sire, was the topic of the presentation. Released in May, the book, along with my own Holy Bull: An Unconventional Path to Racing Glory, kicked off the University Press of Kentucky's new "Racing Royalty" series, showcasing some of the outstanding horses of the last few decades.

For Shulman, A.P. Indy was a life-changer as well as a breed-changer. His love for this remarkable horse came alive during the session, during which he recounted anecdotes from his own writing career as well as the racing and breeding history of a horse who, despite the honors he received during his lifetime, was perhaps never as much appreciated as he should have been. Shulman used his intimate knowledge of the Thoroughbred industry to provide details regarding A.P. Indy's background and supporting cast, enriching both his writing and the experience of his presentation.

The "Evening with the Author" programs at Keeneland always provide a pleasant opportunity to interact with other lovers of the Thoroughbred and of good writing during the question-and answer session after an author's presentation and during the reception to follow---not to mention a chance to sample the artistry of Keeneland's hospitality staff, whose hors d'oeuvres are always superb. For those who had to miss the August program, I hope that at least some of you will be able to attend the program on September 2 (for which I will be the guest speaker) and experience a lovely literary evening with a Keeneland flair.

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    I'm Avalyn Hunter, an author with a passion for Thoroughbreds and a passion for writing and storytelling.

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